Nearmint's Vintage Football Card Blog

Compared to quarterbacks, running backs, receivers, and even kickers, defensive players often got short shrift when the card companies chose the players to put on their cards. The 1968 Topps Stand Up insert set is an extreme example of the bias toward offensive players: in the 22-card set there is only one defensive player, Alex Karras. Even he might not have been included if the 1968 Lions had had an offensive star. Another example, the 1970 Topps Super Glossy set, is somewhat less unbalanced: it contains 25 offensive players, 7 defensive players, and 1 kicker.

Numerous Hall of Fame defensive players were in the league for years before appearing on a card. The most egregious example I can think of is Dick Lane. In 1952, his rookie year with the Rams, Lane had 14 interceptions, an NFL record that still stands–and he did it in 12 games! In 1954 he again led the league in interceptions, with 10, this time with the Cardinals. Despite his performance–and though the Cardinals were hardly flush with stars–Lane first appeared on a 1957 Topps card, and his next appearance was on a 1961 Fleer. (Lane’s biography on Wikipedia–assuming it is accurate–is fascinating. It says his mother found him in a Dumpster!)

Another Hall of Fame defensive player, Len Ford, played for 11 years but appeared on only two cards: his 1955 Bowman rookie card and a 1957 Topps card. He began his career in 1948 with the Los Angeles Dons of the AAFC, and he joined the Browns in 1950 when the AAFC folded and the Browns joined the NFL. No major company printed cards of AAFC players, but Bowman printed cards of NFL players every year from 1950 to 1955, and they finally included Ford in their last year.

At least four Lombardi-era Packers defensive players also made late rookie card appearances: Ray Nitschke began his career in 1958, and his rookie card is a 1963 Topps. Willie Davis also joined the team in 1958, and his rookie card is a 1964 Philadelphia. Herb Adderley joined the team in 1961, and his rookie card is also a 1964 Philadelphia–with his name misspelled, to boot. Willie Wood started in 1960, and his rookie card is a 1963 Topps.

Two Chiefs Hall of Fame defensive backs provide a final example: Willie Lanier joined the Chiefs in 1967, and his rookie card is a 1971 Topps. Emmitt Thomas joined in 1966, and his rookie card is a 1972 Topps.

Occasionally, when it took a while for a defensive player to appear on a card from a major company, the player would appear first on a “pre-rookie” card in a regional or oddball set. All four of the Packers mentioned above had pre-rookie cards in the 1961 Lake to Lake Packers set. Hall of Famers Bob Lilly, Jim Johnson, and Larry Wilson all had pre-rookie cards in the 1962 Post Cereal set. And as I wrote in a previous post, Rams star Ed Meador appeared on 1959 Bell Brand, 1960 Bell Brand, and 1962 Post Cereal cards before his 1963 Topps rookie card was issued. Another long-time Ram, Jack Pardee, whose rookie card is a 1964 Philadelphia, also appeared in the Bell Brand and Post Cereal sets.

Changing the subject a bit, it is worth noting that until 1959, football cards did not distinguish between offensive and defensive positions when there was ambiguity. For example, if a player’s card said “end,” he could have been either a receiver or a defensive end. If it said “back,” he could have been either a running back or a defensive back. Pictured here is an example: Jack Butler was a defensive back, but his 1957 Topps rookie card just says “back.” (This, by the way, is another late rookie card. Butler started his career with the Steelers in 1951.) Perhaps this was a vestige of the time when players played both offense and defense, and a back on offense would also have been a back on defense. Whatever the reason, because of the ambiguity, I probably still have some defensive players listed as offensive players in the Vintage Football Card Gallery. Occasionally a kind person sends me a correction.

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• All of the ABCs

I have always thought that these were odd: they’re boyhood photo cards that were part of the 1973 Topps football card set. It’s a 528-card set, so why are there only three boyhood cards? Why did Topps pick Anderson, Gabriel, and Garrett? Were they the only players whose moms responded to requests for old photos? Did the other moms respond, but their kids weren’t cute enough? Did Topps intend to have a Boyhood Photo insert set and fail to turn up enough photos? Every time I encounter one of these, I wonder how they came to be.

A few months ago I created a page called Mistaken Identities: Vintage Football Cards Picturing the Wrong Player. The page shows numerous cards that show the wrong player in the main photo. I learned from my Beckett catalog, though, that there are also a bunch of 1962 Topps cards that picture the wrong player in the black-and-white inset photo. What’s more, it appears that Topps faked a couple of these photos intentionally, altering the impostor’s jersey number to match the player on the card.

Here is one of the altered jersey numbers: the inset photo on Zeke Bratkowski’s 1962 Topps card actually shows John Unitas, with his number changed from 19 to 12. Topps apparently couldn’t find a good game photo of Bratkowski, though he had been in the league for eight years. It’s too bad, because Bratkowski took great action shots. On his his 1962 Post Cereal card, he’s throwing while going down, and on his 1958 Topps card, he’s leaping over palm trees!

The second altered jersey is on Fran Tarkenton’s rookie card. Beckett says that it’s Sonny Jurgensen in the inset photo, with his number changed from 9 to 10. It’s hard to tell from the photo, but did Topps leave the Eagle wings on Jurgensen’s helmet?

The third impostor is on Roman Gabriel’s rookie card. On this card, the player in the inset photo is clearly Y.A. Tittle. It is understandable that Topps didn’t have an NFL game shot of Gabriel, since 1962 was his first year in the league. This time they didn’t try to fool us: they just picked out a nice quarterback photo and called it good.

Last, we have a couple of Redskins. That’s Don Bosseler pictured in the inset photo of Dick James’s card. Bosseler didn’t appear in the 1962 Topps set on a card of his own, so it’s nice that they gave him a cameo. (He did, however, appear on a 1962 Post Cereal card.)

My old (2005) Beckett football card catalog defines checklist as such:

A card that lists in order the cards and players in the set or series. Older checklist cards in mint condition that have not been checked off are very desirable and command large premiums.

The first football set to include a checklist card was 1956 Topps. That card is shown here, to the right. Except for 1958, every Topps set from 1956 to 1975 includes checklists. (More recent sets undoubtedly do, too, but my collection stops at 1975.) In both 1956 and 1957, the checklist was short-printed and not numbered, but for both years the checklist is considered part of the set.

Topps printed two versions of the 1957 checklist, one with a Bazooka bubble gum ad on the back, and the other with a Twin Blony ad. The Twin Blony checklist is scarcer, but either version of the checklist is considered sufficient to complete the set. Shown here is a 1957 checklist with the Bazooka back.

In 1959 and 1960, rather than printing standalone checklist cards, Topps put a checklist on the back of each team card. Some team cards have a checklist for the first half of the set, and some have a checklist for the second half. Since there is a team card for each team in the league, each checklist appears numerous times in the set. Redundant, yes, but the kids were reasonably assured of getting the checklists.

The second 1961 Topps checklist is unusual: besides listing 1961 Topps cards 78-132, it has a checklist on the back for 36 Cloth Emblem inserts. (See I is for Inserts for a picture of one.) I believe the 36 emblems listed here were distributed with the first series of 1961 Topps cards; they included the NFL teams, the NFL insignia, and some colleges. Twelve more emblems–the AFL teams, AFL insignia, and three more colleges–were released with the second series, but, oddly, Topps did not print a checklist for those. The second series checklist, card number 198, lists just cards 133-198. Perhaps Topps simply did not have enough room on that checklist to include the second series emblems.

Topps checklists from 1962 to 1965 are unremarkable: one or two per set, with a few being short prints. I won’t show them all here, but you can see all of the checklists for all of the sets in the Vintage Football Card Gallery.

In 1966, Topps got weird. Included in 1966 football card packs were Funny Rings, insert cards from which you could punch out silly rings to put on your fingers. (You can usually find some on eBay.) The inserts themselves aren’t odd–cards back then were printed for kids, after all–but what is odd is that the checklist for the Funny Rings is card number 15 in the football card set. Nothing on the Funny Ring Checklist has anything to do with football, but since it is a numbered card in the set, collectors are compelled to have it. No problem, except that the checklist has notoriously poor top-to-bottom centering, so it is hard to find in high grade, and hence it is very expensive. (An article by Kevin Glew about the 1966 Topps set describes the poor centering of the checklists and the woes of the men who collect them.)

In 1967, the Topps checklists again were unremarkable. In 1968 and 1969, though, Topps decided to issue a second series checklist with both the first and second series cards. Why? I’m guessing that they included a second series checklist with the first series to entice kids to buy the second series, but they also put one in the second series in case the kids hadn’t bought the first series cards. At any rate, the checklists issued with each series have the characteristics of the other cards in that series, so there are two variations of each second series checklist.

First series 1968 Topps cards have green printing on the back, and second series cards have blue printing, so the second series checklist can be found with either green or blue printing. First series 1969 Topps cards have no border, but second series cards do, so the 1969 second series checklist comes both with and without a border. Shown here are the two variations of the 1969 Topps second series checklist.

I am not aware of any oddities in the Topps checklists from 1970 to 1975, but I do know that Topps printed team checklists in 1973 and 1974, in addition to the regular checklists. These team checklists were not part of the regular sets. I don’t yet have them in the Vintage Football Card Gallery, but you can see examples of the team checklists on eBay.

Now, on to Topps’s competition:

Fleer printed football cards from 1960 to 1963, but only the 1963 Fleer set includes a checklist, and it appears to have been an afterthought. The 1963 Fleers were printed on two sheets, with most players appearing three times between the two sheets. (See my virtual 1963 Fleer uncut sheet for details.) The checklist displaced a Bob Dougherty card on one sheet and a Charles Long card on the other, hence the Dougherty and Long became short prints. The checklist is also a short print, since it appears just twice between the two sheets. Like the 1956 and 1957 Topps checklists, the 1963 Fleer checklist was not numbered, but it is considered part of the set. The borders on the checklist are thin, so high-grade, well-centered examples are rare. The centering of the card shown here is typical.

The Philadelphia Gum Company printed football cards from 1964 to 1967, and they included two checklists in each set. Philadelphia was consistent from year to year: each of the four sets is a single series of 198 cards, and cards 197 and 198 in each set are the checklists. The 1964 Philadelphia checklists are error cards–they both say 1963–and they are typically off-center, like the one shown here. The 1965-1967 Philadelphia checklists are unremarkable and plentiful in high grade.

Having reviewed the checklists, let’s look again at Beckett’s definition. The first part says a checklist lists, in order, the cards in a set or series. That sounds right. But what about the second part, “Older checklist cards in mint condition that have not been checked off are very desirable and command large premiums”? Well, like the claim that the first card and last card in a set are scarcer in high grade (see the discussion on my virtual 1959 Topps uncut sheet page), I think the claim that unchecked checklists command a premium is greatly exaggerated. Sure, kids marked some checklists, but I’ll bet that more went unmarked than were marked. Not all kids bothered to check off their cards, and even when they did, one checklist would have sufficed, and any duplicates would have gone unmarked.

No, I think that if a checklist is scarce in high grade, it is because of other factors, namely short printing or poor centering. The 1956 and 1957 Topps checklists are scarce, but they were short printed. The 1963 Fleer, 1964 Philadelphia, and 1966 Topps checklists are scarce in high grades, but it is because they are usually off-center.

On the other hand, checklists that are not short prints and that are not known for centering problems do not command much of a premium. The 1961 Topps #198 checklist shown here (also the last card in the set) lists for $65-100 in price guides, but a PSA 7 sells for about $20 on eBay. Even generously doubling that $20 to get a retail price puts it well below the “book value.” The 1960 Topps #132 Redskins team (checklist on back, last card in set) lists for $28-30 in the price guides, but a PSA 7 on eBay goes for $8-10. Likewise for the 1965 Philadelphia #197 checklist: it is $30 in the price guides, but about $8-10 on eBay. What’s more, I think the prices realized are actually inflated by the price guides: if the price guides didn’t overprice them, would they sell for as much as they do?

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• All of the ABCs

Shortly after I added 1962 Post Cereal cards to the Vintage Football Card Gallery, a customer pointed out to me that Mike Henry, who appears on one of the cards, later had a successful acting career. After seven seasons at linebacker for the Steelers and Rams, Henry went on to play Tarzan, Junior Justice, and Donald Penobscot! Brian’s Drive-In Theater has a nice acting biography of Mike Henry.

Shown here is Henry’s 1962 Post Cereal card. To my knowledge, this is his only card, but he did also appear on a 1963 Salada Coin. There are usually one or two available on eBay.

Here’s a clip of Mike Henry as Tarzan. I like how the helicopter goes behind the bushes to blow up!

The Bowman Gum Company printed football cards in 1948 and from 1950 to 1955. On the whole, they are my favorite vintage football cards, and if I were to start my collection over, I would focus on collecting these early Bowmans. Except for the 1953 issue, the cards are attractive, varied, and interesting, and eight sets to me is about the right number to work on.

1948 Bowman

The 1948 Bowman cards are small, nearly square, and black-and-white. The cards picture the current players of the time, and since no one had printed football cards since National Chicle in 1935, every card in the 1948 Bowman set is a rookie card. The cards have no printing on the front, only on the back, a format I really like. Every third card–that is, each card with a number divisible by three–is considered a short print. This, says my old Beckett catalog, is because the sheet they were printed on was “printed in much lesser quantities” than the other two sheets. Judging by PSA’s population report, the “lesser” is accurate, but the “much” is not: PSA has graded about third fewer of the short prints, not enough to justify the 4x to 5x premium that Beckett assigns to them.

1950 Bowman

The 1950 Bowmans are the same size as the 1948 cards, and they look like little oil paintings. Like the 1948 cards, they have printing only on the back. 1950 was the year that the All-American Football Conference folded and three of its teams–the Baltimore Colts, Cleveland Browns, and San Francisco 49ers–joined the NFL. Because no major card company had printed cards of AAFC players, several of the stars from the AAFC made their football card debut in the 1950 Bowman set. Of the 10 Hall of Fame players whose rookie cards appear in the 1950 Bowman set, 6 came from the AAFC, and 4 of those 6 played for the Browns.

The Los Angeles Rams were the first team to put a logo on their helmets, and this might be why most of the Rams are wearing helmets on their 1950 Bowman cards. The artist who colored the cards took liberties with the colors, however. On the cards the Rams’ horns appear white in the front and yellow in back, but on the actual helmets the horns did not change color somewhere in the middle.

1951 Bowman

In 1951, Bowman enlarged the cards and put the player’s name and team logo on the front. The logos overwhelm the cards a bit, but logos were more intricate back then, and they needed to be large to show the detail. (See the Lions and Giants logos, for example.) Though attractive, the 1951 set seems to be less popular than the 1950 and 1952 sets, perhaps because it has fewer rookie cards of prominent players.

1952 Bowman Large

In 1952, Bowman released two sets of football cards, identical except for their size. An article in the PSA Library provides a detailed description of the 1952 Large set. In addition to the rookie cards of several Hall of Fame players, the set includes the rookie cards of three Hall of Fame coaches: George Halas, Paul Brown, and Steve Owen. Some cards in the set are challenging to find in high grades: cards with numbers divisible by 9 and the cards immediately following them (i.e., 10, 19, 28, …) are reportedly short prints, and PSA’s population report indicates that some of the other cards (#70, Gene Schroeder, for example) are actually as scarce as the designated short prints.

The PSA article says that the most valuable card in the set is #144, Jim Lansford. The article is correct: the price guides list the card at 2-to-5 times the value of the next most valuable card. Why? Well, the price guides say, not only is the Lansford a short print, but it’s the dreaded last card in the set! This to me is another example of where the guides are off base, since numerous other cards in the set are at least as scarce as the Lansford. (For more “last card” silliness, see my 1959 Topps virtual uncut sheet.)

1952 Bowman Small

The 1952 Bowman Small cards, except for their size, are identical to the Large cards. The PSA library also has an article on this set. It appears that Bowman printed fewer Smalls than Larges, but collectors evidently prefer the large format, because the Larges, in general, command higher prices. Because they fit differently on the sheet, the Smalls do not have the same distribution as the Larges, and no Smalls are designated short prints.

1953 Bowman

Bowman’s follow-up to their classic 1952 sets was the disappointing 1953 Bowman set. In a previous article, I wrote about the ugly white football on the front of the cards, but that’s not the only problem. Outside of the white football, the cards are dark–often too dark to get a good scan–and there is not a single significant rookie card in the set. The card distribution is strange, too: there are 96 cards in the set, and only two of them are Packers.

1954 Bowman

1954 Bowman football cards are the plainest of the old Bowmans, but they are colorful, clear, and attractive. Cards 65-96 were clearly printed in smaller numbers, but my old Beckett has them priced five times higher than the other cards, which is excessive. My favorite is Jim Dooley, in his College All-Star uniform. There is a Whizzer White in the set, but he’s not the Supreme Court justice. There’s an old thread about the Whizzers on the Collectors Universe message board.

1955 Bowman

Finally, there are the 1955 Bowmans. Bowman got experimental again with this set, putting each player on a colored background and giving him an aura. All of the players on a given team have the same colored background: the background for the Packers is yellow, for example, and the background for the Giants is green. I like the uniformity that the background brings to this set. In 1953 and 1954, Bowman put some players on solid color backgrounds, some on geometric backgrounds, and some in front of trees and shrubs.

In 1956, Topps bought Bowman Gum, and Bowman’s run of football cards ended. Now that I think of it, don’t 1956 Topps football cards look like a hybrid of 1955 Bowman and 1955 Topps cards? The 1956 Topps cards have the player on a colored background, with a bit of an aura, and the logo box looks just like the one on the 1955 Topps All-Americans.

• Previous: A is for All-Americans
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• All of the ABCs

I love some of the poses on vintage football cards. Here is a 1953 Bowman card of Lou Groza, the Browns’ Hall of Fame tackle and kicker, blocking and kicking at the same time. Because of his multiple skills, Groza was chosen by the Cold, Hard Football Facts staff as one of their All-Time 11. Groza was an iron man: after playing 14 years and on 7 AAFC and NFL championship teams, Groza retired in 1959–but in 1961 he un-retired and played 7 more years!

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Misspelled names are common on vintage football cards, but Philadelphia Gum Co. takes the prize: they misspelled Herb Adderley‘s name on all four cards they printed of him. His name is spelled Adderly on his 1964 Philadelphia rookie card and all of his cards for the next three years.

From 1964 to 1967, Philadelphia had the rights to print cards of NFL players, and Topps had the rights to the AFL. When Topps obtained the rights to the NFL in 1968, Adderley finally got his name spelled correctly. But Topps later slipped up, too, and got it wrong on Adderley’s 1972 card.

Adderley also had a pre-rookie card, a 1961 Lake to Lake Packers card distributed regionally in Wisconsin. The locals got it right: on this card his name was spelled correctly.

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The 1955 Topps All-American set, 100 cards picturing college All-Americans through 1955, is probably the most popular vintage football card set. The key to its popularity is its player selection: it includes seventeen hall-of-famers, including six rookie cards; eleven Heisman trophy winners, including five rookie cards; Notre Dame legends Knute Rockne and the Four Horsemen; and even a U.S. Supreme Court Justice, Byron “Whizzer” White. It is also an attractive set, with a color picture of the player in the foreground and a black-and-white action picture in the background. The PSA Set Registry provides evidence of its popularity: at the time of this writing, collectors had registered 85 sets of All-Americans, far more than any other vintage set.

Prior to 1955, Topps had printed two other sets of cards of college players, 1950 Felt Backs and 1951 Magic cards, but those sets were limited to current players of the time, and they are not as attractive as the 1955 set. The 1950 Felt Backs are downright homely, but the set does include the rookie cards of Joe Paterno, Darrell Royal, and a couple of pro football hall-of-famers. The 1951 Topps Magic cards are more attractive, but the set holds only one significant rookie card: Heisman winner Vic Janowicz. In 1955, Topps played catch-up, including stars from decades earlier who had never appeared on cards before. The result: lots of rookie cards of famous players.

The 1955 All-American set began a run of annual Topps football sets that continues to this day. Topps dominated the football card market until 1989, when Score and ProSet introduced superior products. From 1968 to 1988, Topps had practically no competition in the market, and it showed: most of the cards they printed in the 1970’s and 1980’s were dull and nondescript compared to their early offerings.

A page by Mark Sullivan, a reference librarian at the Boston College Law School, provides other interesting facts about the 1955 Topps All-Americans: detailed descriptions of the cards, errors, and players who went on to fame outside of football. Check out that page, as well.

• Next: B is for Bowman
• All of the ABCs

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An article in the Topps Archives blog has a nice description of the 1969 Topps 4-in-1 stamps and albums. (Scroll to the bottom of the article.) I was looking through some 4-in-1’s today, and I noticed a few odd things worth mentioning:

First, though there is an mini-album for each team, most of the albums have players from other teams pictured on their covers. The 49ers album pictured here shows number 80 from the Giants scoring a touchdown, and there are no 49ers to be seen, just the referee with his hands in the air. Surely they could have found an action photo of a 49er?

Second, the Topps Archives article mentions that several players appear in the 4-in-1’s (and thus in the mini-albums), but they do not appear in the main 1969 Topps set. But it’s odder than that: five of the players in the 4-in-1’s don’t appear on a card of their own in any major set! The five who appear only on these bitty stamps are Reg Carolan, Solomon Brannan, Carl Cunningham, Dennis Randall, and Jim LeMoine.
Third, as the article mentions, 65 cards were needed to yield 260 stamps, 10 for each team, but there are 66 cards in the 4-in-1 set. One card–Johnson, Katcavage, Triplett, and Lewis–is repeated, with the labels for the player names colored differently. When I think about it, the double print makes sense, since there are 264 cards on a typical uncut sheet, and 66 is a quarter of 264. I’m guessing that each of the 66 cards appeared four times on the sheet.

Finally–and this is just an error–the stamp of Bob Brown says it’s Bob Brown of the Rams, but it’s really Bob Brown of the Packers. To see this error and a lot more like it, check out my Mistaken Identities page.

I also find it a bit odd that PSA will grade individual stamps in this set. (There are usually a few on eBay.) I don’t know why anyone would want an individual stamp graded, since they don’t sell for much, but PSA will oblige and take the grading fees. Perhaps people submit individual stamps when the 4-in-1 card as a whole is damaged. Because of the perforations around the stamps, the cards bend easily, and you will often see small creases emanating from the perforations to the edges of the cards.

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